Drake Releases FOMO Film on YouTube, Country Collaboration with Ella Langley Vanishes Within Hours
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- Drake mengunggah film FOMO ke YouTube pada Selasa (15/09/26) malam, menampilkan lagu baru bernuansa country yang menginterpolasi single Ella Langley, Choosin' Texas.
- Video tersebut menghilang tak lama setelah tayang, memicu spekulasi tentang strategi perilisan atau masalah hak cipta, sementara lagu-lagu baru belum tersedia di platform streaming.
- Kolaborasi lintas genre ini berpotensi memperluas jangkauan Drake ke pasar country dan membuka peluang bagi musisi Indonesia untuk menjajaki crossover serupa.

The short film titled Fear of Missing Out (FOMO), directed by Drake, had its premiere on YouTube on Tuesday night (15/09/26), but vanished from the platform shortly after. The video's appearance and disappearance left major questions, especially since the project contained several unreleased new songs, including a country-tinged track that interpolates Ella Langley's single Choosin' Texas.
According to gathered accounts, the film combines music clips from Drake's summer album trilogy and features several new collaborations, such as with Don Toliver and Yeat. Besides Ella Langley, several other names appeared, including Sexyy Red, Winnie Harlow, Lena the Plug, as well as viral figure Pinkchyu and Drake's mother, Sandi Graham. As of Wednesday morning (16/09/26), FOMO had not returned to YouTube and there was no official explanation on whether the film would be reuploaded or its new songs released separately.
This incident is not merely an ordinary technical glitch. Drake's move to slip country elements into a hip-hop work signals a shift in global music market tastes, where the boundaries between genres are increasingly blurred. Choosin' Texas itself has achieved remarkable success by topping the United States charts, and Ella Langley's name has drawn praise from country legend Shania Twain, who called her an authentic songwriter. Collaborations like this have the potential to expand both sides' fan bases, while also testing how far audiences accept cross-genre experiments.
"Nobody is coming to save you. You have to use every day to figure out who you love and trust, then move forward with them," Drake wrote on Instagram, adding that he still cares about the music video format even though many consider it outdated.
The statement implies that Drake wants to reaffirm his commitment to music videos as a storytelling medium, amid the view that the format is increasingly abandoned. However, FOMO's disappearance from YouTube has instead sparked speculation about a deliberate marketing strategy or copyright issues. Previously, Drake had leaked a remix of Choosin' Texas during a DJ set in Toronto, and he even attended Ella's concert in Arkansas. Their social media interactions were also warm, with Drake praising Ella's writing ability, and Ella responding with a lip-sync video of a Drake and Lil Wayne song.
For the Indonesian music industry, this phenomenon serves as a mirror showing that cross-genre collaboration can be the key to breaking into a wider market. Several musicians in the country have begun combining pop with dangdut, hip-hop with traditional music, or even country with a local touch. The success of Drake and Ella Langley shows that geographic and genre boundaries are no longer dividing walls, as long as there is authenticity and a strong story. However, the main challenge is consistency and the courage to step out of one's comfort zone, as Drake did by bringing a country feel amid hip-hop's dominance.
Going forward, the public is waiting to see whether FOMO will return in full or instead be split into several single releases. If the new songs eventually become available on streaming platforms, there is a big opportunity for Drake to score cross-genre hits and strengthen his position as an innovator. Conversely, if the project remains missing, the mystery could actually heighten curiosity and its selling value later on. What is clear is that Drake's maneuver this time has sparked discussion about the future of music videos and cross-genre collaboration, a conversation that is also relevant for the Indonesian music industry as it searches for new forms to reach a global audience.



